Riding Like the Wind: The Life of Sanora Babb
450 Jane Stanford Way, Building 460, Stanford, CA 94305

University of Califonia Press
Join us for an engaging conversation with Gavin Jones and Iris Jamahl Dunkle as they delve into the life of Sanora Babb, a pivotal yet often overlooked figure in American literary history. Gain a deeper understanding of the cultural and political forces that shaped the Dust Bowl era and the migrant experience.
Iris Jamahl Dunkle, an award-winning poet, biographer, and member of the National Book Critics Circle board, will discuss her latest work, Riding Like the Wind: The Life of Sanora Babb. This compelling biography sheds light on the extraordinary and largely forgotten writer, Sanora Babb.
Riding Like the Wind is more than just a biography—it’s a rediscovery of a lost voice in American literature. Copies of the book will be available for purchase, and Iris will be signing them following the discussion.

Iris Jamahl Dunkle's poetry and nonfiction critically engage with the Western myth of progress by exploring the profound impact of agriculture and overpopulation on the North American West, both historically and in contemporary times. Embracing an ecofeminist perspective, her writing challenges the predominantly male-centric narrative of the American West's recorded history, delving into the often-overlooked lives of women.
Dunkle earned her MFA in poetry from New York University and her PhD in American Literature from Case Western Reserve University. She is the author of two biographies, Charmian Kittredge London: Trailblazer, Author, Adventurer (University of Oklahoma Press, 2020) and Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), and four collections of poetry, including West : Fire : Archive, published by The Center for Literary Publishing, Interrupted Geographies and Gold Passage by Trio House Press and There’s a Ghost in This Machine of Air by Word Tech.
Dunkle curates Finding Lost Voices, a weekly blog dedicated to resurrecting the voices of women who have been marginalized or forgotten. She has garnered recognition through awards and fellowships from esteemed institutions such as Biographers International, Millay Arts, and Vermont Studio Center, and her writing has appeared in publications like Orion, Electric Lit, Liber, Pleiades, Tin House, Calyx, Fence, The Los Angeles Review, and Split Rock Review. Notably, her work was featured on The Academy of American Poets’ Poem-a-Day series and showcased on one hundred buses during the Muni Art 2020 campaign.

Gavin Jones is the Frederick P. Rehmus Family Professor of Humanities and Chair of the English Department at Stanford University, where he teaches courses on nineteenth- and twentieth-century American literature.
He is the author of Strange Talk: The Politics of Dialect Literature in Gilded Age America (U of California, 1999), American Hungers: The Problem of Poverty in U.S. Literature, 1840-1945 (Princeton, 2007), Failure and the American Writer: A Literary History (Cambridge, 2014), and Reclaiming John Steinbeck: Writing for the Future of Humanity (Cambridge 2021).
He has published articles on writers such as George W. Cable, Theodore Dreiser, W.E.B. DuBois, Sylvester Judd, Paule Marshall, Mark Twain, Herman Melville, and Zora Neale Hurston, in journals including American Literary History, New England Quarterly, African American Review, and Twentieth-Century Literature. Jones has edited a new version of a neglected classic of American literature, Sylvester Judd’s “transcendental novel,” Margaret: A Tale of the Real and Ideal, Blight and Bloom (1845), and is the coeditor (with Michael J. Collins) of The Cambridge Companion to the American Short Story (2023). He is currently working on two book projects: Zora Neale Hurston and the Art of Controversy and The Storytellers: The Work of Short Fiction in American Culture.